I am
damp with the
wet wonder of the November city and I am looking up,
peering over the cloudy soft pillow-white edge
of BC Place on a Saturday night
(Leafs fans in jerseys pass by, howling at the Vancouver skyline)
I peer at the glow of incandescent orange and gloaming blue
I walk, my inside is a dull aching place
due to the replacement
of
bodily fluids with caffeine
a daily occurrence for the past four weeks--
and I walk at a dullard's pace,
breathing in the mist and the orange glow of street lights, city lights
on my way to Pat's to
listen to Stevie Wonder records and to
make him a lampshade out of copper wire and acrylic medium and paper
from the recycling bin
(it's a birthday gift, he needed a lampshade)
and
things are shifting... Stevie Wonder sings maybe your baby
it's makin' him worried
it's makin' me queer
things are beginning, but the ending
is near
Saturday, 15 November 2008
Tuesday, 30 September 2008
salacious / salubrious
the sentiments you sent to me are disturbing
though inadvertently, I am sure
you make a wish in your foreign mind and in the english language:
to see me again, all “sexy panty and golden hair”
I haven’t got the slightest inclination to
share these things with you
I want to keep it clean and distant,
a postcard unsold
free from the misfortune
of words
when you meant to convey
romance and the scent of autumn
you instead recognize my superior strength
and voluminous size
and pillowy softness
unintentionally tasteless twisted compliments
I received sleazy covetous intentions and was bound by
your hazy tethers of garbled muddy desire
translation
how unfair are the brutalities of language transformation
though inadvertently, I am sure
you make a wish in your foreign mind and in the english language:
to see me again, all “sexy panty and golden hair”
I haven’t got the slightest inclination to
share these things with you
I want to keep it clean and distant,
a postcard unsold
free from the misfortune
of words
when you meant to convey
romance and the scent of autumn
you instead recognize my superior strength
and voluminous size
and pillowy softness
unintentionally tasteless twisted compliments
I received sleazy covetous intentions and was bound by
your hazy tethers of garbled muddy desire
translation
how unfair are the brutalities of language transformation
Friday, 26 September 2008
ten
one finger crooked to beckon or push on the button of the chin
two fingers to wear rings of falsity, and one to wear a ring of hope
one thumb drawn smearingly through charcoal and ash, then across faces, making warriors
or committing others to Wednesday’s penance and grief
one thumb held in the palm for safekeeping
one finger long and lean, speaking of bone and ceremony
two fingers
catching up a thread
between them
one finger stuck in the mouth of the past
feeling the wet jagged spaces within
two fingers to wear rings of falsity, and one to wear a ring of hope
one thumb drawn smearingly through charcoal and ash, then across faces, making warriors
or committing others to Wednesday’s penance and grief
one thumb held in the palm for safekeeping
one finger long and lean, speaking of bone and ceremony
two fingers
catching up a thread
between them
one finger stuck in the mouth of the past
feeling the wet jagged spaces within
Wednesday, 10 September 2008
Monday, 25 August 2008
anemone
whatever he said, it stuck
a blob of blackberry jam, just like that.
it’s always like that, in the beginning
in the beginning of everything
my brain is flat and wide open, begging
to be etched and stained,
and then
after a period, it folds up small and tight
like a note waiting to be passed. no more room
for words, however clever they may be. but
like I said—at first, he left vermillion splatters and
magenta smears, a cocktail of fantasy distorted
like a red tide of dangerous passion
all across my bleary (but appreciative) senses. and
now although I have passed, like an anemone, into the
epoch of closed tendrils
the interior lights up with a glow of warmth
like a love note
written on the palm of a closed fist
a blob of blackberry jam, just like that.
it’s always like that, in the beginning
in the beginning of everything
my brain is flat and wide open, begging
to be etched and stained,
and then
after a period, it folds up small and tight
like a note waiting to be passed. no more room
for words, however clever they may be. but
like I said—at first, he left vermillion splatters and
magenta smears, a cocktail of fantasy distorted
like a red tide of dangerous passion
all across my bleary (but appreciative) senses. and
now although I have passed, like an anemone, into the
epoch of closed tendrils
the interior lights up with a glow of warmth
like a love note
written on the palm of a closed fist
p's and q's
face creased
lips small like a cat’s ass
all for the sake of concentration
all for the art of beatification
send your words up
ask for
love/money/luck/patience to rain down
or don’t ask for anything at all
prayer is the same all over the world
the personal twist is
whether you commonly call up to ask
or to say “thank you”
lips small like a cat’s ass
all for the sake of concentration
all for the art of beatification
send your words up
ask for
love/money/luck/patience to rain down
or don’t ask for anything at all
prayer is the same all over the world
the personal twist is
whether you commonly call up to ask
or to say “thank you”
Wednesday, 20 August 2008
what is it
whatever have we here
unreliable fullness of smile
i want to rest my head on the heart of
the heart of the world
i want the biggest reality to be
the fullness
of me
unreliable fullness of smile
i want to rest my head on the heart of
the heart of the world
i want the biggest reality to be
the fullness
of me
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